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A one-page 'mini-series' aimed at explaining and teaching Enya's simple but versatile solo keyboard texture.
With the usual audio and MIDI support and now with additional Musicarta YouTube video material , you'll soon have a handful of attractive piano solos in your repertoire, and a great new technique for your own keyboard compositions.
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’No Holly For Miss Quinn’
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’From Where I Am’
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‘Lothlorien’
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’Watermark’
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Link through to the Musicarta 'Enya' page here
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Link through to the Musicarta YouTube channel here
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Musicarta has MIDI support for selected modules. In addition to the usual audio clips, you will find MIDI file reference numbers. These small files can be downloaded free and played on the free applications MidiPiano or Synthesia or any other MIDI application or instrument.

These applications will give you a visual display of the music as it plays with a ‘piano roll’ representation and lighting-up keys on a virtual keyboard. Watch this short demonstration video:
The demo shows some of the features that make MidiPiano an excellent addition to your learning resources.
You will find the the MIDI file reference numbers in a table to the right of the audio file. For example:
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Pyramids_L4_M1
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Pentatonic scales are easy to learn (you can play six pentatonic scales on the white keys alone) and generate lots of music, from heavy metal through mainstream rock jamming to folk tunes.
And don’t be put off by the ‘scales’ bogey word - practising pentatonic scales is almost like practising music. Many blues and heavy metal riffs are drawn practically note for note from the pentatonic minor scale - as the riffs below should convince you - while the pentatonic major is the rock music jamming scale par excellence.
Syncopated beat and rhythm skills are vitally important to the modern keyboard player - and generate great riffs, too - but the development of natural rhythm skills is usually left to chance.
Musicarta’s Beat and Rhythm section offers a number of ways to feed your inner drummer. The two clips featured here are from the Syncopation and Anticipation series.
'Comptine' – Yann Tiersen ’s lovely piano miniature – has become a standard 'New Age' repertoire piece. It's delightful to play, and everybody will find a version within their capabilities in the Musicarta two-lesson mini-series.
The table below offers six sample variations which come at the end of the second part of the mini-series. They show what you can expect to achieve by studying a piece using Musicarta's combination of text, graphic, and audio resources.
Musical modes are scales with a different order of whole tone and semi-tone steps to those found in the modern Western major scale. The chord families derived from the modes offer interesting alternatives to conventional modern harmony and good opportunities for improvising.
Part One deals with the modes as scales. Study this module for background.
The first two riffs in the table are from Part Two of the series, which introduces the Mixolydian mode. The next two riffs are samples from Part Three and use characteristic Mixolydian chord progressions.
Parts Four and Five explore a fruitful and easy-to-grasp two-chord set from the minor modes.
Parts Six, Seven and Eight add one further chord to make a three-chord Aeolian mode set you are bound to recognise!
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Read all about it on the Musicarta Newsletter page. The Musicarta News - regular encouragement to learn and progress! Or – get the Musicarta RSS feed. [What’s that?] |
